Audio-clock timing
Ticks are scheduled ahead on the Web Audio timeline for steadier musical timing than a visual timer alone can provide.
A precise, deeply customizable pulse for real practice: tap a tempo, shape the meter, hear every subdivision, and build speed without losing the groove.
No microphone, samples, or uploads. Tick voices are synthesized locally, and your preferred practice setup is saved only in this browser.
A metronome is most useful when it supports the music instead of merely counting. Start with a clear pulse, expose the subdivisions you need, then remove support as your internal time strengthens.
Choose 20–300 BPM with the dial, use a musical tempo preset, or tap the pulse you already hear.
Select a time signature and subdivision, add swing, then click individual beats to cycle between accent, normal, and muted.
Choose a tick voice and volume, use keyboard controls while holding your instrument, or enable the trainer to raise the tempo by measured steps.
Ticks are scheduled ahead on the Web Audio timeline for steadier musical timing than a visual timer alone can provide.
Practice straight or swung subdivisions across custom meters, with a three-state accent pattern for every beat in the bar.
Set a target, step size, and number of bars per increase so difficult passages speed up without interrupting the flow.
The metronome schedules clicks slightly ahead using the browser's Web Audio clock, which is designed for precise audio timing. Device output latency can vary, but the spacing between scheduled ticks remains stable under normal use.
Tap the Tap tempo button or press T several times at the pulse you want. The metronome averages the recent intervals and updates the BPM. Pause for two seconds to begin a fresh measurement.
Click a numbered beat to cycle it through accent, normal, and muted. Accents use the strongest and highest tick; muted beats silence that beat and its subdivisions while preserving the bar structure.
Eighth notes help place offbeats, triplets clarify compound or triplet phrasing, and sixteenth notes expose uneven internal timing. Return to quarter-note pulses as your time becomes more secure.
With eighth-note subdivision selected, swing lengthens the first half of each beat and shortens the second. At 50% the eighth notes are straight; higher values create a progressively stronger long-short feel.
Start below the fastest tempo you can play cleanly, choose a small increase such as 2 BPM every four bars, and set a realistic target. If accuracy or relaxation breaks down, lower the starting tempo rather than forcing the target.
No. It generates tick sounds locally with the Web Audio API and does not use your microphone. Settings are saved only in this browser.
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